The series Urban Mountains shows piles of snow left by city workers when clearing the streets, a man-made temporary landscape thoughtlessly shovelled up and left to melt but still clearly evoking the more majestic mountains of Iceland’s highlands. These images completely redefine and also complicate the representation of landscape and our relationship to it: How can we continue to think of the nature as sublime and irreplaceable when it can be so casually reproduced in our cities without our noticing? They also show us how Hrafnkell was to achieved this: The isolated subject, framed so as to separate it clearly from its context, allowing the camera to capture its sheer visual beauty, all the more captivating because it surprises us.